I work with clay and conversation – anthropology and ceramic sculpture become a record of interaction. My studio practice is process-based and thus the emphasis of the work is on the emergence of the piece from that activity. For the majority of my work, I make my own clay that retains an amorphous quality and resists traditional building methods. It is within this context of material dysfunction that the process of interaction becomes relevant. Boundaries suspended with vitrified gesture, the resulting relationship built from memories and moments.

Bio

Joe Welch is a ceramic artist focusing on sculpture and experimentation of ceramic material and fire. He earned an AFA from the Community College of Rhode Island, BFA and Post Baccalaureate Certificate of Artisanry-Ceramics at The University of Masssachusetts - Dartmouth, and MFA from Universitet i Bergen - Fakultet Kunst Musikk og Design in Bergen, Norway. Prior to entering the fine art community, he was a chef for restaurants and individual clients in Ohio, Florida, and Rhode Island, set designer for local theatres, and part-time carpenter for theatre productions. He also works part-time at the New Bedford Art Museum as a ceramics instructor. He is currently in progress of . He resides in Laksevåg, Norway.

All photos on this website taken by Joe Welch.

Why Two Rabbit?

There were two rabbits: Arthur and Buttercup. Two of the cutest rabbits ever, with diametrically opposed personalities.

Arthur

The “punk” with black fur, mohawk, and attitude to match. Connecting to him meant learning how to interact with those that are secluded, guarded, and sometimes unhappy with communicating. Making him friendly included snacks and occasionally a pet on the head. However, this was a hard won privilege as it could easily turn south with a little nip to say “I am done with you.” I attribute my experimental work and careful experimentation with his memory in mind. Sculptures are hard won and require much thought and interaction with the clay.

Buttercup

The demure, calm center of the world. His disposition was to be kind and always needed pets, treats, and attention. His kindness was usually unconditional and regardless of treats, desired head scratches. I honor his memory with the calm and concentric forms which exude peaceful connections and meditative motions.

I believe that both of them live in my work consistently and I must ask which of them wants attention that day.